My first project with painted glass will be a Medusa head. Thought this would be an interesting subject and one that will require a few different techniques: flooding, stippling and shading. First I’ll need to do a good study of her and render out a cartoon to do my tracing. I prefer old-world references, so am digging up some examples to modify for the project. -embarrassed to show this first rendering, as it has been WAY too long since I’ve practiced drawing. I need to simplify it further, make her look a little prettier, and work out some problems with the hair. Once it is rendered in ink I’ll move on to watercolor. There will be a few more iterations until I get to that step. Onward!
Pardon the enthusiasm. After a long, gloomy Winter and Spring (I live in Seattle), I’ve decided to make a genuine effort to make time for extreme art and play. One precious evening if none at all, in the midst of working, training for a triathlon, and dancing in a performing troupe. My studio is waiting to be dusted off and put to some serious use. I’ve had fantasies of art parties with friends, flying paintbrushes and assorted libations, but for now it is a party of one. And that’s o.k.!
I’m obsessed with impossibly beautiful antique grisaille work and am drawn more than ever to really learn the craft. Grisaille – pronounced “Grizz-Eye” is an ancient method of layering on glass paints (in between firings) to achieve a 3-dimensional look, usually in monochrome. The problem with learning this is (1) there are no living mentors for this craft and style, at least not in the U.S.; (2) the techniques are really difficult to track down; and (3) the expense of kiln firing ($25/firing at the local glass shop) make it a little cost-prohibitive. kiln, Santa?
I’ve found a couple good sources to start. The informative but horribly-designed website of William & Byrne has been a great resource for techniques, troubleshooting, and just plain blather. I’ve also come across some great DVD instructional videos by Hood River resident Peter McGrain, which is a lucky local find. He offers week-long intensive instruction on stained glass painting, so I’ve made the decision to take the course next Summer. Until then, I’ve gathered lots of educational materials (e-books, DVDs) and the supplies I need to start, but in true “Lisa” fashion, I have yet to begin. Now’s the time. I really can’t wait!
“Koi Pond” project begun 11+ years ago as a gift to my mother. All leaded glass work stopped when we got pregnant, so the project took a rest in the basement until um.. now? I brought it up to rest in the studio for a while to keep me company.
This is a particularly difficult piece, in that the water and koi were strategically cut from a single piece of glass to preserve the continuous features and texture of the glass. The pattern. -Oh, can’t remember where I got it. But I did modify it slightly with some thick jewels which raise above the plane of the rest of the piece. This design is more contemporary that I normally like, but definitely the most challenging I’ve ever done (hence the fear of finishing!)